{"id":2636,"date":"2024-07-29T18:35:10","date_gmt":"2024-07-29T15:35:10","guid":{"rendered":"https:\/\/www.busart.org\/?page_id=2636"},"modified":"2026-10-17T21:19:47","modified_gmt":"2026-10-17T18:19:47","slug":"synikismos-festival-2019","status":"publish","type":"page","link":"https:\/\/www.busart.org\/en\/curatorial-kelly-diapouli\/synikismos-festival-2019\/","title":{"rendered":"Synikismos Festival 2019"},"content":{"rendered":"<section class=\"wpb-content-wrapper\">[vc_section full_width=&#8221;stretch_row&#8221; wpex_bg_overlay=&#8221;color&#8221; wpex_post_thumbnail_bg=&#8221;true&#8221; wpex_fixed_bg=&#8221;fixed&#8221; wpex_bg_overlay_color=&#8221;#000000&#8243; wpex_bg_overlay_opacity=&#8221;0.45&#8243; wpex_bg_position=&#8221;left top&#8221;][vc_row content_placement=&#8221;middle&#8221; min_height=&#8221;800&#8243;][vc_column width=&#8221;1\/2&#8243;]<style>.vcex-heading.vcex_6adb297cc5b7a{width:700px;color:var(--wpex-on-accent);font-size:80px;font-family:Noto Serif;font-weight:800;line-height:var(--wpex-leading-tight);}.vcex-heading.vcex_6adb297cc5b7a.vcex-heading:hover{color:var(--wpex-accent-alt);}<\/style><div class=\"vcex-heading vcex-heading-side-border vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-flex wpex-items-center wpex-text-left alignleft vcex_6adb297cc5b7a\"><a href=\"#perigrafi\" class=\"local-scroll-link wpex-no-underline wpex-inherit-color\" target=\"_self\"><span class=\"vcex-heading-inner wpex-inline-block\">Synikismos Festival 2019<\/span><\/a><span class=\"vcex-heading-side-border wpex-flex-grow wpex-h-0 wpex-border-solid wpex-ml-15 wpex-border-b-3\"><\/span><\/div><div class=\"wpex-clear\"><\/div>[vc_column_text color=&#8221;on-accent&#8221; font_size=&#8221;24&#8243; text_align=&#8221;left&#8221; css=&#8221;.vc_custom_1722596020138{margin-top: 20px !important;margin-bottom: 20px !important;}&#8221;]<span style=\"font-weight: 400;\">22 &#8211; 30.06.2019 <\/span>[\/vc_column_text]<style>.vcex-icon.vcex_6adb297cc63f9{font-size:80px;}.vcex-icon.vcex_6adb297cc63f9 .vcex-icon-wrap{color:var(--wpex-on-accent);}.vcex-icon.vcex_6adb297cc63f9 .vcex-icon-wrap:hover{color:var(--wpex-accent-alt);}<\/style><div class=\"vcex-icon vcex-module vcex-icon-normal wpex-float-left wpex-mr-20 vcex_6adb297cc63f9\"><a href=\"#perigrafi\" class=\"vcex-icon-link wpex-no-underline local-scroll-link\"><div class=\"vcex-icon-wrap wpex-inline-flex wpex-items-center wpex-justify-center wpex-leading-none wpex-transition-colors wpex-duration-200\"><span class=\"ticon ticon-arrow-down\" aria-hidden=\"true\"><\/span><\/div><\/a><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row][\/vc_section][vc_section css=&#8221;.vc_custom_1703098134566{margin-top: 80px !important;}&#8221; el_id=&#8221;perigrafi&#8221;][vc_row][vc_column]<style>.vcex-navbar.vcex_6adb297cc66fe .vcex-navbar-link{text-decoration:none;}.vcex-navbar.vcex_6adb297cc66fe .vcex-navbar-link:hover{text-decoration:none;}.vcex-navbar.vcex_6adb297cc66fe a.vcex-navbar-link{padding:10px;font-family:Noto Serif;}.vcex-navbar.vcex_6adb297cc66fe a.vcex-navbar-link:hover,.vcex-navbar.vcex_6adb297cc66fe a.vcex-navbar-link.active{color:var(--wpex-on-accent);background:var(--wpex-accent-alt);}.vcex-navbar.vcex_6adb297cc66fe a.vcex-navbar-link:active,.vcex-navbar.vcex_6adb297cc66fe a.vcex-navbar-link.active{background:var(--wpex-accent);}.is-sticky > .vcex-navbar.vcex_6adb297cc66fe{background-color:var(--wpex-on-accent)!important;}<\/style><nav aria-label=\"menu to navigate through the sections on this page\" class=\"vcex-navbar vcex-module vcex-navbar-sticky wpex-transition-opacity wpex-duration-300 vcex-navbar-sticky-offset wpex-mb-0 align-left wpex-clr vcex_6adb297cc66fe\"><div class=\"vcex-navbar-inner wpex-float-left wpex-clr wpex-last-mr-0\"><a href=\"https:\/\/www.busart.org\/en\/curatorial-kelly-diapouli\/synikismos-festival-2019\/#perigrafi\" class=\"vcex-navbar-link vcex-navbar-link--2588 wpex-inline-block wpex-float-left wpex-mr-20 theme-txt-link hvr hvr-shadow has-bg-hover\"><span class=\"vcex-navbar-link-text\">Description<\/span><\/a><a href=\"https:\/\/www.busart.org\/en\/curatorial-kelly-diapouli\/synikismos-festival-2019\/#projects\" class=\"vcex-navbar-link vcex-navbar-link--2589 wpex-inline-block wpex-float-left wpex-mr-20 theme-txt-link hvr hvr-shadow has-bg-hover\"><span class=\"vcex-navbar-link-text\">Artistic Projects<\/span><\/a><a href=\"https:\/\/www.busart.org\/en\/curatorial-kelly-diapouli\/synikismos-festival-2019\/#networking\" class=\"vcex-navbar-link vcex-navbar-link--2590 wpex-inline-block wpex-float-left wpex-mr-20 theme-txt-link hvr hvr-shadow has-bg-hover\"><span class=\"vcex-navbar-link-text\">Empowerment &amp; Networking<\/span><\/a><a href=\"https:\/\/www.busart.org\/en\/curatorial-kelly-diapouli\/synikismos-festival-2019\/#discussions\" class=\"vcex-navbar-link vcex-navbar-link--2591 wpex-inline-block wpex-float-left wpex-mr-20 theme-txt-link hvr hvr-shadow has-bg-hover\"><span class=\"vcex-navbar-link-text\">Discussions<\/span><\/a><a href=\"https:\/\/www.busart.org\/en\/curatorial-kelly-diapouli\/#curatorial\" class=\"vcex-navbar-link vcex-navbar-link--2592 wpex-inline-block wpex-float-left wpex-mr-20 theme-txt-link hvr hvr-shadow has-bg-hover\"><span class=\"vcex-navbar-link-text\">Other Curatorial Projects | Kelly Diapouli<\/span><\/a><\/div><\/nav>[\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1704971716727{padding-top: 120px !important;padding-bottom: 120px !important;}&#8221;][vc_column width=&#8221;2\/3&#8243;]<style>.vcex-heading.vcex_6adb297cc7c82{color:var(--wpex-accent);font-size:60px;font-family:Noto Serif;font-weight:700;}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cc7c82\"><span class=\"vcex-heading-inner wpex-inline-block\">Description<\/span><\/div><div class=\"vcex-spacing wpex-w-100 wpex-clear\" style=\"height:30px;\"><\/div>[vc_column_text]<span style=\"font-weight: 400;\">In its second edition, the Festival took place in the distinctive neighbourhood of Synikismos, transforming it into an ephemeral art stage. It presented an artistic programme that created powerful, immersive experiences, focused on the contemporary performing arts and was thematically dedicated to the concept of History.<\/span>[\/vc_column_text][\/vc_column][vc_column visibility=&#8221;hidden&#8221; width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;548&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;center&#8221; style=&#8221;vc_box_outline&#8221;]<div class=\"vcex-spacing wpex-w-100 wpex-clear\" style=\"height:30px;\"><\/div><div class=\"theme-button-wrap textcenter wpex-clr\"><a href=\"https:\/\/www.busart.org\/wp-content\/uploads\/2024\/03\/Katalogos-Culture2030.pdf\" class=\"vcex-button theme-txt-link align-center inline\" download><span class=\"vcex-button-inner theme-button-inner\">Download the PDF<\/span><\/a><\/div> [\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; css=&#8221;.vc_custom_1722261574126{padding-top: 100px !important;padding-bottom: 100px !important;background-color: #344156 !important;}&#8221; el_id=&#8221;projects&#8221;][vc_column]<style>.vcex-heading.vcex_6adb297cc8290{color:var(--wpex-on-accent);font-size:60px;font-family:Noto Serif;font-weight:700;}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cc8290\"><span class=\"vcex-heading-inner wpex-inline-block\">Artistic works<\/span><\/div><div class=\"vcex-spacing wpex-w-100 wpex-clear\" style=\"height:30px;\"><\/div>[vc_column_text color=&#8221;on-accent&#8221;]<span style=\"font-weight: 400;\">The personal testimonies of the people of Synikismos act as a mirror of history and make up a ten-day festival of a strongly immersive character, through artworks from the international and Greek community: 5 original productions and 5 invited works. <\/span>[\/vc_column_text]<div class=\"vcex-spacing wpex-w-100 wpex-clear\" style=\"height:30px;\"><\/div><div class=\"wpex-post-cards wpex-post-cards-template_1543 wpex-relative\"><div class=\"wpex-post-cards-inner\"><div class=\"wpex-post-cards-loop wpex-post-cards-grid wpex-row wpex-clr\"><div class=\"wpex-post-cards-entry post-2615 type-artisticprojects col col-1 span_1_of_3 event-69\"><div class=\"wpex-card wpex-card-template_1543 wpb_animate_when_almost_visible wpb_fadeIn fadeIn\"><style>.vc_custom_1722260967143{padding-top: 200px !important;padding-right: 30px !important;padding-bottom: 30px !important;padding-left: 30px !important;background-color: #ffffff !important;border-radius: 20px !important;}.vc_custom_1718379332111{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #ffffff !important;border-radius: 20px !important;}.vc_custom_1722854370109{margin-bottom: 20px !important;}.vc_custom_1718379391901{margin-top: 20px !important;}<\/style><a href=\"https:\/\/www.busart.org\/en\/artisticprojects-en\/routes-to-the-roots-3\/\" aria-label=\"Routes to the Roots #3\" class=\"wpex-card-inner wpex-no-underline wpex-inherit-color\"><div class=\"vc_row wpb_row vc_row-fluid vc_custom_1722260967143 vc_row-o-equal-height vc_row-o-content-bottom vc_row-flex wpex-vc_row-has-fill no-bottom-margins bg-fixed-top wpex-vc-reset-negative-margin\" style=\"background-image:url(https:\/\/www.busart.org\/wp-content\/uploads\/2024\/07\/diadromes-stis-rizes.jpg)!important;min-height:640px;background-position:center center !important;background-size:cover !important;\"><div class=\"wpb_column vc_column_container vc_col-sm-12 wpex-vc_col-has-fill\"><div class=\"vc_column-inner vc_custom_1718379332111\"><div class=\"wpb_wrapper\"><style>.vcex-heading.vcex_6adb297ccb4a1{color:var(--wpex-accent);font-size:16px;}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297ccb4a1\"><span class=\"vcex-heading-inner wpex-inline-block vc_custom_1722854370109\">Aspasia-Maria Alexiou<\/span><\/div><style>.vcex-heading.vcex_6adb297ccb6a4{color:var(--wpex-accent);}.vcex-heading.vcex_6adb297ccb6a4.vcex-heading:hover{color:var(--wpex-accent-alt);}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297ccb6a4\"><span class=\"vcex-heading-inner wpex-inline-block\">Routes to the Roots #3<\/span><\/div><style>.vcex-custom-field.vcex_6adb297ccb8e1{font-size:15px;}<\/style><div class=\"vcex-custom-field vcex-module wpex-clr vc_custom_1718379391901 vcex_6adb297ccb8e1\">by <strong>Aspasia-Maria Alexiou<\/strong>, in which the residents of Synikismos introduce themselves and guide the spectators-walkers through the narrow alleys of the neighbourhood and along their own personal routes.<\/div><\/div><\/div><\/div><\/div><\/a><\/div><\/div><div class=\"wpex-post-cards-entry post-2616 type-artisticprojects col col-2 span_1_of_3 event-69\"><div class=\"wpex-card wpex-card-template_1543 wpb_animate_when_almost_visible wpb_fadeIn fadeIn\"><a href=\"https:\/\/www.busart.org\/en\/artisticprojects-en\/gardens-speak\/\" aria-label=\"Gardens Speak\" class=\"wpex-card-inner wpex-no-underline wpex-inherit-color\"><div class=\"vc_row wpb_row vc_row-fluid vc_custom_1722260967143 vc_row-o-equal-height vc_row-o-content-bottom vc_row-flex wpex-vc_row-has-fill no-bottom-margins bg-fixed-top wpex-vc-reset-negative-margin\" style=\"background-image:url(https:\/\/www.busart.org\/wp-content\/uploads\/2024\/07\/oi-kipoi-miloun-2.jpg)!important;min-height:640px;background-position:center center !important;background-size:cover !important;\"><div class=\"wpb_column vc_column_container vc_col-sm-12 wpex-vc_col-has-fill\"><div class=\"vc_column-inner vc_custom_1718379332111\"><div class=\"wpb_wrapper\"><style>.vcex-heading.vcex_6adb297ccc705{color:var(--wpex-accent);font-size:16px;}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297ccc705\"><span class=\"vcex-heading-inner wpex-inline-block vc_custom_1722854370109\">Tania El Khoury<\/span><\/div><style>.vcex-heading.vcex_6adb297ccc8e2{color:var(--wpex-accent);}.vcex-heading.vcex_6adb297ccc8e2.vcex-heading:hover{color:var(--wpex-accent-alt);}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297ccc8e2\"><span class=\"vcex-heading-inner wpex-inline-block\">Gardens Speak<\/span><\/div><style>.vcex-custom-field.vcex_6adb297ccca6e{font-size:15px;}<\/style><div class=\"vcex-custom-field vcex-module wpex-clr vc_custom_1718379391901 vcex_6adb297ccca6e\">the interactive performance by Lebanese Live Art pioneer <strong>Tania El Khoury<\/strong>, containing the oral histories of ten ordinary people from Syria who are buried in private gardens.<\/div><\/div><\/div><\/div><\/div><\/a><\/div><\/div><div class=\"wpex-post-cards-entry post-2617 type-artisticprojects col col-3 span_1_of_3 event-69\"><div class=\"wpex-card wpex-card-template_1543 wpb_animate_when_almost_visible wpb_fadeIn fadeIn\"><a href=\"https:\/\/www.busart.org\/en\/artisticprojects-en\/tell-me-what-i-can-do\/\" aria-label=\"Tell Me What I Can Do\" class=\"wpex-card-inner wpex-no-underline wpex-inherit-color\"><div class=\"vc_row wpb_row vc_row-fluid vc_custom_1722260967143 vc_row-o-equal-height vc_row-o-content-bottom vc_row-flex wpex-vc_row-has-fill no-bottom-margins bg-fixed-top wpex-vc-reset-negative-margin\" style=\"background-image:url(https:\/\/www.busart.org\/wp-content\/uploads\/2024\/07\/peite-mou-ti-mporw-na-kanw.jpg)!important;min-height:640px;background-position:center center !important;background-size:cover !important;\"><div class=\"wpb_column vc_column_container vc_col-sm-12 wpex-vc_col-has-fill\"><div class=\"vc_column-inner vc_custom_1718379332111\"><div class=\"wpb_wrapper\"><style>.vcex-heading.vcex_6adb297ccd5b9{color:var(--wpex-accent);font-size:16px;}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297ccd5b9\"><span class=\"vcex-heading-inner wpex-inline-block vc_custom_1722854370109\">Tania El Khoury<\/span><\/div><style>.vcex-heading.vcex_6adb297ccd786{color:var(--wpex-accent);}.vcex-heading.vcex_6adb297ccd786.vcex-heading:hover{color:var(--wpex-accent-alt);}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297ccd786\"><span class=\"vcex-heading-inner wpex-inline-block\">Tell Me What I Can Do<\/span><\/div><style>.vcex-custom-field.vcex_6adb297ccd911{font-size:15px;}<\/style><div class=\"vcex-custom-field vcex-module wpex-clr vc_custom_1718379391901 vcex_6adb297ccd911\">an installation by <strong>Tania El Khoury<\/strong> featuring a striking archive of letters from audiences around the world asking the martyrs of <em>Gardens Speak<\/em> for guidance.<\/div><\/div><\/div><\/div><\/div><\/a><\/div><\/div><div class=\"wpex-post-cards-entry post-2618 type-artisticprojects col col-1 span_1_of_3 event-69\"><div class=\"wpex-card wpex-card-template_1543 wpb_animate_when_almost_visible wpb_fadeIn fadeIn\"><a href=\"https:\/\/www.busart.org\/en\/artisticprojects-en\/history-history-history\/\" aria-label=\"History History History\" class=\"wpex-card-inner wpex-no-underline wpex-inherit-color\"><div class=\"vc_row wpb_row vc_row-fluid vc_custom_1722260967143 vc_row-o-equal-height vc_row-o-content-bottom vc_row-flex wpex-vc_row-has-fill no-bottom-margins bg-fixed-top wpex-vc-reset-negative-margin\" style=\"background-image:url(https:\/\/www.busart.org\/wp-content\/uploads\/2024\/07\/history-history-history-1.jpg)!important;min-height:640px;background-position:center center !important;background-size:cover !important;\"><div class=\"wpb_column vc_column_container vc_col-sm-12 wpex-vc_col-has-fill\"><div class=\"vc_column-inner vc_custom_1718379332111\"><div class=\"wpb_wrapper\"><style>.vcex-heading.vcex_6adb297cce90a{color:var(--wpex-accent);font-size:16px;}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cce90a\"><span class=\"vcex-heading-inner wpex-inline-block vc_custom_1722854370109\">Deborah Pearson<\/span><\/div><style>.vcex-heading.vcex_6adb297cceacc{color:var(--wpex-accent);}.vcex-heading.vcex_6adb297cceacc.vcex-heading:hover{color:var(--wpex-accent-alt);}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cceacc\"><span class=\"vcex-heading-inner wpex-inline-block\">History History History<\/span><\/div><style>.vcex-custom-field.vcex_6adb297ccec6b{font-size:15px;}<\/style><div class=\"vcex-custom-field vcex-module wpex-clr vc_custom_1718379391901 vcex_6adb297ccec6b\">the documentary theatre piece by <strong>Deborah Pearson<\/strong>, who unfolds a surprisingly personal story with the 1956 Hungarian uprising as its point of reference.<\/div><\/div><\/div><\/div><\/div><\/a><\/div><\/div><div class=\"wpex-post-cards-entry post-2619 type-artisticprojects col col-2 span_1_of_3 event-69\"><div class=\"wpex-card wpex-card-template_1543 wpb_animate_when_almost_visible wpb_fadeIn fadeIn\"><a href=\"https:\/\/www.busart.org\/en\/artisticprojects-en\/nothing-to-declare\/\" aria-label=\"Nothing to Declare\" class=\"wpex-card-inner wpex-no-underline wpex-inherit-color\"><div class=\"vc_row wpb_row vc_row-fluid vc_custom_1722260967143 vc_row-o-equal-height vc_row-o-content-bottom vc_row-flex wpex-vc_row-has-fill no-bottom-margins bg-fixed-top wpex-vc-reset-negative-margin\" style=\"background-image:url(https:\/\/www.busart.org\/wp-content\/uploads\/2024\/07\/ouden-pros-dilwsi.jpg)!important;min-height:640px;background-position:center center !important;background-size:cover !important;\"><div class=\"wpb_column vc_column_container vc_col-sm-12 wpex-vc_col-has-fill\"><div class=\"vc_column-inner vc_custom_1718379332111\"><div class=\"wpb_wrapper\"><style>.vcex-heading.vcex_6adb297ccf84a{color:var(--wpex-accent);font-size:16px;}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297ccf84a\"><span class=\"vcex-heading-inner wpex-inline-block vc_custom_1722854370109\">Dictaphone Group<\/span><\/div><style>.vcex-heading.vcex_6adb297ccfa0a{color:var(--wpex-accent);}.vcex-heading.vcex_6adb297ccfa0a.vcex-heading:hover{color:var(--wpex-accent-alt);}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297ccfa0a\"><span class=\"vcex-heading-inner wpex-inline-block\">Nothing to Declare<\/span><\/div><style>.vcex-custom-field.vcex_6adb297ccfbad{font-size:15px;}<\/style><div class=\"vcex-custom-field vcex-module wpex-clr vc_custom_1718379391901 vcex_6adb297ccfbad\">an interactive installation by the art collective <strong>Dictaphone Group<\/strong> exploring borders within Lebanon, those between Lebanon and its neighbours, and across the Arab world, taking us back to inaccessible landscapes and journeys that are no longer possible.<\/div><\/div><\/div><\/div><\/div><\/a><\/div><\/div><div class=\"wpex-post-cards-entry post-2620 type-artisticprojects col col-3 span_1_of_3 event-69\"><div class=\"wpex-card wpex-card-template_1543 wpb_animate_when_almost_visible wpb_fadeIn fadeIn\"><a href=\"https:\/\/www.busart.org\/en\/artisticprojects-en\/e_fyga-micrasia\/\" aria-label=\"E_FYGA Micrasia (I_LEFT Asia Minor)\" class=\"wpex-card-inner wpex-no-underline wpex-inherit-color\"><div class=\"vc_row wpb_row vc_row-fluid vc_custom_1722260967143 vc_row-o-equal-height vc_row-o-content-bottom vc_row-flex wpex-vc_row-has-fill no-bottom-margins bg-fixed-top wpex-vc-reset-negative-margin\" style=\"background-image:url(https:\/\/www.busart.org\/wp-content\/uploads\/2024\/07\/e_fyga-mikrasia.jpg)!important;min-height:640px;background-position:center center !important;background-size:cover !important;\"><div class=\"wpb_column vc_column_container vc_col-sm-12 wpex-vc_col-has-fill\"><div class=\"vc_column-inner vc_custom_1718379332111\"><div class=\"wpb_wrapper\"><style>.vcex-heading.vcex_6adb297cd071d{color:var(--wpex-accent);font-size:16px;}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cd071d\"><span class=\"vcex-heading-inner wpex-inline-block vc_custom_1722854370109\">Yolanda Markopoulou<\/span><\/div><style>.vcex-heading.vcex_6adb297cd08da{color:var(--wpex-accent);}.vcex-heading.vcex_6adb297cd08da.vcex-heading:hover{color:var(--wpex-accent-alt);}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cd08da\"><span class=\"vcex-heading-inner wpex-inline-block\">E_FYGA Micrasia (I_LEFT Asia Minor)<\/span><\/div><style>.vcex-custom-field.vcex_6adb297cd0a78{font-size:15px;}<\/style><div class=\"vcex-custom-field vcex-module wpex-clr vc_custom_1718379391901 vcex_6adb297cd0a78\">a chronicle of the history of the Asia Minor refugees of Upper Eleusis, starring their descendants, residents of Synikismos, in a site-specific peripatetic performance by <strong>Yolanda Markopoulou<\/strong>.<\/div><\/div><\/div><\/div><\/div><\/a><\/div><\/div><div class=\"wpex-post-cards-entry post-2621 type-artisticprojects col col-1 span_1_of_3 event-69\"><div class=\"wpex-card wpex-card-template_1543 wpb_animate_when_almost_visible wpb_fadeIn fadeIn\"><a href=\"https:\/\/www.busart.org\/en\/artisticprojects-en\/the-story-of-a-prisoner\/\" aria-label=\"The Story of a Prisoner\" class=\"wpex-card-inner wpex-no-underline wpex-inherit-color\"><div class=\"vc_row wpb_row vc_row-fluid vc_custom_1722260967143 vc_row-o-equal-height vc_row-o-content-bottom vc_row-flex wpex-vc_row-has-fill no-bottom-margins bg-fixed-top wpex-vc-reset-negative-margin\" style=\"background-image:url(https:\/\/www.busart.org\/wp-content\/uploads\/2024\/07\/istoria-enos-aixmalwtou-2.jpg)!important;min-height:640px;background-position:center center !important;background-size:cover !important;\"><div class=\"wpb_column vc_column_container vc_col-sm-12 wpex-vc_col-has-fill\"><div class=\"vc_column-inner vc_custom_1718379332111\"><div class=\"wpb_wrapper\"><style>.vcex-heading.vcex_6adb297cd15a0{color:var(--wpex-accent);font-size:16px;}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cd15a0\"><span class=\"vcex-heading-inner wpex-inline-block vc_custom_1722854370109\">Alexandros Mistriotis<\/span><\/div><style>.vcex-heading.vcex_6adb297cd1774{color:var(--wpex-accent);}.vcex-heading.vcex_6adb297cd1774.vcex-heading:hover{color:var(--wpex-accent-alt);}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cd1774\"><span class=\"vcex-heading-inner wpex-inline-block\">The Story of a Prisoner<\/span><\/div><style>.vcex-custom-field.vcex_6adb297cd18fb{font-size:15px;}<\/style><div class=\"vcex-custom-field vcex-module wpex-clr vc_custom_1718379391901 vcex_6adb297cd18fb\">the performance by <strong>Alexandros Mistriotis<\/strong>, based on Stratis Doukas\u2019s text <em>A Prisoner of War\u2019s Story<\/em>.<\/div><\/div><\/div><\/div><\/div><\/a><\/div><\/div><div class=\"wpex-post-cards-entry post-2622 type-artisticprojects col col-2 span_1_of_3 event-69\"><div class=\"wpex-card wpex-card-template_1543 wpb_animate_when_almost_visible wpb_fadeIn fadeIn\"><a href=\"https:\/\/www.busart.org\/en\/artisticprojects-en\/haiti-a-performance-for-history\/\" aria-label=\"Haiti, a performance for history\" class=\"wpex-card-inner wpex-no-underline wpex-inherit-color\"><div class=\"vc_row wpb_row vc_row-fluid vc_custom_1722260967143 vc_row-o-equal-height vc_row-o-content-bottom vc_row-flex wpex-vc_row-has-fill no-bottom-margins bg-fixed-top wpex-vc-reset-negative-margin\" style=\"background-image:url(https:\/\/www.busart.org\/wp-content\/uploads\/2024\/07\/Haiti2.jpg)!important;min-height:640px;background-position:center center !important;background-size:cover !important;\"><div class=\"wpb_column vc_column_container vc_col-sm-12 wpex-vc_col-has-fill\"><div class=\"vc_column-inner vc_custom_1718379332111\"><div class=\"wpb_wrapper\"><style>.vcex-heading.vcex_6adb297cd2459{color:var(--wpex-accent);font-size:16px;}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cd2459\"><span class=\"vcex-heading-inner wpex-inline-block vc_custom_1722854370109\">Hatari group<\/span><\/div><style>.vcex-heading.vcex_6adb297cd2635{color:var(--wpex-accent);}.vcex-heading.vcex_6adb297cd2635.vcex-heading:hover{color:var(--wpex-accent-alt);}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cd2635\"><span class=\"vcex-heading-inner wpex-inline-block\">Haiti, a performance for history<\/span><\/div><style>.vcex-custom-field.vcex_6adb297cd27c9{font-size:15px;}<\/style><div class=\"vcex-custom-field vcex-module wpex-clr vc_custom_1718379391901 vcex_6adb297cd27c9\">the performance by the <strong>Hatari<\/strong> group.<\/div><\/div><\/div><\/div><\/div><\/a><\/div><\/div><div class=\"wpex-post-cards-entry post-2623 type-artisticprojects col col-3 span_1_of_3 event-69\"><div class=\"wpex-card wpex-card-template_1543 wpb_animate_when_almost_visible wpb_fadeIn fadeIn\"><a href=\"https:\/\/www.busart.org\/en\/artisticprojects-en\/motorway-6\/\" aria-label=\"MotorWay 6\" class=\"wpex-card-inner wpex-no-underline wpex-inherit-color\"><div class=\"vc_row wpb_row vc_row-fluid vc_custom_1722260967143 vc_row-o-equal-height vc_row-o-content-bottom vc_row-flex wpex-vc_row-has-fill no-bottom-margins bg-fixed-top wpex-vc-reset-negative-margin\" style=\"background-image:url(https:\/\/www.busart.org\/wp-content\/uploads\/2024\/07\/motorway6.jpg)!important;min-height:640px;background-position:center center !important;background-size:cover !important;\"><div class=\"wpb_column vc_column_container vc_col-sm-12 wpex-vc_col-has-fill\"><div class=\"vc_column-inner vc_custom_1718379332111\"><div class=\"wpb_wrapper\"><style>.vcex-heading.vcex_6adb297cd343a{color:var(--wpex-accent);font-size:16px;}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cd343a\"><span class=\"vcex-heading-inner wpex-inline-block vc_custom_1722854370109\">Evi Kalogiropoulou<\/span><\/div><style>.vcex-heading.vcex_6adb297cd3627{color:var(--wpex-accent);}.vcex-heading.vcex_6adb297cd3627.vcex-heading:hover{color:var(--wpex-accent-alt);}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cd3627\"><span class=\"vcex-heading-inner wpex-inline-block\">MotorWay 6<\/span><\/div><style>.vcex-custom-field.vcex_6adb297cd37cb{font-size:15px;}<\/style><div class=\"vcex-custom-field vcex-module wpex-clr vc_custom_1718379391901 vcex_6adb297cd37cb\">the film by <strong>Evi Kalogiropoulou<\/strong> that juxtaposes two symbols: the PYRKAL munitions factory building and the bodies of the athletes of the \u201cElefsis\u201d club, of Albanian, Pomak and Pakistani origin.<\/div><\/div><\/div><\/div><\/div><\/a><\/div><\/div><div class=\"wpex-post-cards-entry post-2624 type-artisticprojects col col-1 span_1_of_3 event-69\"><div class=\"wpex-card wpex-card-template_1543 wpb_animate_when_almost_visible wpb_fadeIn fadeIn\"><a href=\"https:\/\/www.busart.org\/en\/artisticprojects-en\/the-eleusinians-narrate\/\" aria-label=\"The Eleusinians Narrate\" class=\"wpex-card-inner wpex-no-underline wpex-inherit-color\"><div class=\"vc_row wpb_row vc_row-fluid vc_custom_1722260967143 vc_row-o-equal-height vc_row-o-content-bottom vc_row-flex wpex-vc_row-has-fill no-bottom-margins bg-fixed-top wpex-vc-reset-negative-margin\" style=\"background-image:url(https:\/\/www.busart.org\/wp-content\/uploads\/2024\/07\/elefsinioi.jpg)!important;min-height:640px;background-position:center center !important;background-size:cover !important;\"><div class=\"wpb_column vc_column_container vc_col-sm-12 wpex-vc_col-has-fill\"><div class=\"vc_column-inner vc_custom_1718379332111\"><div class=\"wpb_wrapper\"><style>.vcex-heading.vcex_6adb297cd43cc{color:var(--wpex-accent);font-size:16px;}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cd43cc\"><span class=\"vcex-heading-inner wpex-inline-block vc_custom_1722854370109\">Filippos Koutsaftis<\/span><\/div><style>.vcex-heading.vcex_6adb297cd45bf{color:var(--wpex-accent);}.vcex-heading.vcex_6adb297cd45bf.vcex-heading:hover{color:var(--wpex-accent-alt);}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cd45bf\"><span class=\"vcex-heading-inner wpex-inline-block\">The Eleusinians Narrate<\/span><\/div><style>.vcex-custom-field.vcex_6adb297cd4761{font-size:15px;}<\/style><div class=\"vcex-custom-field vcex-module wpex-clr vc_custom_1718379391901 vcex_6adb297cd4761\">the video installation by <strong>Filippos Koutsaftis<\/strong>, drawn from the unedited footage of <em>Mourning Rock<\/em> (<em>Agelastos Petra<\/em>) and focusing on real-life recordings of the people of Synikismos.<\/div><\/div><\/div><\/div><\/div><\/a><\/div><\/div><\/div><\/div><\/div><div class=\"vcex-spacing wpex-w-100 wpex-clear\" style=\"height:30px;\"><\/div>[\/vc_column][\/vc_row][\/vc_section][vc_row css=&#8221;.vc_custom_1722352475331{padding-top: 120px !important;padding-bottom: 20px !important;}&#8221; el_id=&#8221;networking&#8221;][vc_column]<style>.vcex-heading.vcex_6adb297cd4cb9{color:var(--wpex-accent);font-size:60px;font-family:Noto Serif;font-weight:700;}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cd4cb9\"><span class=\"vcex-heading-inner wpex-inline-block\">Empowerment &amp; Networking<\/span><\/div><div class=\"vcex-spacing wpex-w-100 wpex-clear\" style=\"height:30px;\"><\/div>[vc_column_text]<span style=\"font-weight: 400;\">International cultural organisations come to Eleusis and develop activities that strengthen every position in the field of artistic production. These include connecting the Greek art scene with foreign curators (Destination Eleusis\u2013Athens), collaborations with international and European networks in the field (IETM Campus) and capacity-building programmes (Critique Workshop, The Festival Readings).<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_section][vc_row column_spacing=&#8221;30&#8243; gap=&#8221;30&#8243; equal_height=&#8221;yes&#8221;][vc_column css_animation=&#8221;appear&#8221; width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1722353261760{border-top-width: 4px !important;border-right-width: 4px !important;border-bottom-width: 4px !important;border-left-width: 4px !important;padding-top: 30px !important;padding-right: 30px !important;padding-bottom: 30px !important;padding-left: 30px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;border-left-color: #6e8daf !important;border-left-style: solid !important;border-right-color: #6e8daf !important;border-right-style: solid !important;border-top-color: #6e8daf !important;border-top-style: solid !important;border-bottom-color: #6e8daf !important;border-bottom-style: solid !important;border-radius: 20px !important;}&#8221; el_class=&#8221;hoverbox&#8221;]<style>.vcex-heading.vcex_6adb297cd4fd6{color:var(--wpex-accent);font-size:32px;font-weight:800;line-height:var(--wpex-leading-snug);}.vcex-heading.vcex_6adb297cd4fd6.vcex-heading:hover{color:var(--wpex-accent-alt);}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cd4fd6\"><a href=\"https:\/\/www.busart.org\/en\/curatorial-kelly-diapouli\/synikismos-festival-2019\/destination-eleusis-athens\/\" class=\"wpex-no-underline wpex-inherit-color\" target=\"_self\"><span class=\"vcex-heading-inner wpex-inline-block\">ONDA_ Destination Eleusis\u2013Athens<\/span><\/a><\/div>[vc_empty_space][\/vc_column][vc_column css_animation=&#8221;appear&#8221; width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1722352938807{border-top-width: 4px !important;border-right-width: 4px !important;border-bottom-width: 4px !important;border-left-width: 4px !important;padding-top: 30px !important;padding-right: 30px !important;padding-bottom: 30px !important;padding-left: 30px !important;border-left-color: #6e8daf !important;border-left-style: solid !important;border-right-color: #6e8daf !important;border-right-style: solid !important;border-top-color: #6e8daf !important;border-top-style: solid !important;border-bottom-color: #6e8daf !important;border-bottom-style: solid !important;border-radius: 20px !important;}&#8221;]<style>.vcex-heading.vcex_6adb297cda314{color:var(--wpex-accent);font-size:32px;font-weight:800;line-height:var(--wpex-leading-snug);}.vcex-heading.vcex_6adb297cda314.vcex-heading:hover{color:var(--wpex-accent-alt);}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cda314\"><a href=\"https:\/\/www.busart.org\/en\/curatorial-kelly-diapouli\/synikismos-festival-2019\/ietm-campus\/ietm-campus-2\/\" class=\"wpex-no-underline wpex-inherit-color\" target=\"_self\"><span class=\"vcex-heading-inner wpex-inline-block\">IETM Campus<\/span><\/a><\/div>[vc_empty_space][\/vc_column][vc_column css_animation=&#8221;appear&#8221; width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1722352945297{border-top-width: 4px !important;border-right-width: 4px !important;border-bottom-width: 4px !important;border-left-width: 4px !important;padding-top: 30px !important;padding-right: 30px !important;padding-bottom: 30px !important;padding-left: 30px !important;border-left-color: #6e8daf !important;border-left-style: solid !important;border-right-color: #6e8daf !important;border-right-style: solid !important;border-top-color: #6e8daf !important;border-top-style: solid !important;border-bottom-color: #6e8daf !important;border-bottom-style: solid !important;border-radius: 20px !important;}&#8221;]<style>.vcex-heading.vcex_6adb297cdc976{color:var(--wpex-accent);font-size:32px;font-weight:800;line-height:var(--wpex-leading-snug);}.vcex-heading.vcex_6adb297cdc976.vcex-heading:hover{color:var(--wpex-accent-alt);}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cdc976\"><a href=\"https:\/\/www.busart.org\/en\/curatorial-kelly-diapouli\/synikismos-festival-2019\/critique-workshop\/\" class=\"wpex-no-underline wpex-inherit-color\" target=\"_self\"><span class=\"vcex-heading-inner wpex-inline-block\">Critique Workshop<\/span><\/a><\/div>[vc_empty_space][\/vc_column][vc_column css_animation=&#8221;appear&#8221; width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1722352958709{border-top-width: 4px !important;border-right-width: 4px !important;border-bottom-width: 4px !important;border-left-width: 4px !important;padding-top: 30px !important;padding-right: 30px !important;padding-bottom: 30px !important;padding-left: 30px !important;border-left-color: #6e8daf !important;border-left-style: solid !important;border-right-color: #6e8daf !important;border-right-style: solid !important;border-top-color: #6e8daf !important;border-top-style: solid !important;border-bottom-color: #6e8daf !important;border-bottom-style: solid !important;border-radius: 20px !important;}&#8221;]<style>.vcex-heading.vcex_6adb297cdf6f5{color:var(--wpex-accent);font-size:36px;font-weight:800;line-height:var(--wpex-leading-snug);}.vcex-heading.vcex_6adb297cdf6f5.vcex-heading:hover{color:var(--wpex-accent-alt);}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297cdf6f5\"><a href=\"https:\/\/www.busart.org\/en\/curatorial-kelly-diapouli\/synikismos-festival-2019\/the-festival-readings\/\" class=\"wpex-no-underline wpex-inherit-color\" target=\"_self\"><span class=\"vcex-heading-inner wpex-inline-block\">The Festival Readings<\/span><\/a><\/div>[vc_empty_space][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1722353785786{padding-top: 120px !important;padding-bottom: 20px !important;}&#8221; el_id=&#8221;discussions&#8221;][vc_column]<style>.vcex-heading.vcex_6adb297ce293c{color:var(--wpex-accent);font-size:60px;font-family:Noto Serif;font-weight:700;}<\/style><div class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-2xl wpex-font-normal wpex-m-auto wpex-max-w-100 wpex-block vcex_6adb297ce293c\"><span class=\"vcex-heading-inner wpex-inline-block\">Discussions<\/span><\/div><div class=\"vcex-spacing wpex-w-100 wpex-clear\" style=\"height:30px;\"><\/div>[vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]\n<\/section>","protected":false},"excerpt":{"rendered":"Almost two decades after Mourning Rock (Agelastos Petra), the landmark film for the city of Eleusis, Filippos Koutsaftis returns to the same place, which in essence he never left, with a new work, to meet the city\u2019s present. This is the film The Eleusinians Narrate, which will premiere in November 2021 and will mark the&hellip;","protected":false},"author":1,"featured_media":1826,"parent":2549,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2636","page","type-page","status-publish","has-post-thumbnail","hentry","entry","has-media"],"_links":{"self":[{"href":"https:\/\/www.busart.org\/en\/wp-json\/wp\/v2\/pages\/2636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.busart.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.busart.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.busart.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.busart.org\/en\/wp-json\/wp\/v2\/comments?post=2636"}],"version-history":[{"count":3,"href":"https:\/\/www.busart.org\/en\/wp-json\/wp\/v2\/pages\/2636\/revisions"}],"predecessor-version":[{"id":2641,"href":"https:\/\/www.busart.org\/en\/wp-json\/wp\/v2\/pages\/2636\/revisions\/2641"}],"up":[{"embeddable":true,"href":"https:\/\/www.busart.org\/en\/wp-json\/wp\/v2\/pages\/2549"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.busart.org\/en\/wp-json\/wp\/v2\/media\/1826"}],"wp:attachment":[{"href":"https:\/\/www.busart.org\/en\/wp-json\/wp\/v2\/media?parent=2636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}